BIO
Based in Barcelona with roots in Poland, I’m a visual artist working at the intersection of painting and assemblage. I studied animated film at the Łódź Film School, an education that continues to shape how I approach images – even in static paintings, I think about movement, implied narratives, and how a single image can contain duration. My practice explores transitional states and in-between moments. Literature often serves as a starting point, not for illustration but as emotional resonance that finds its own visual life in paint. I work intuitively with oil, acrylic, and assemblage elements – dry pigments, three-dimensional objects, beads, found materials – building both painted and physical layers.
Living between Poland and Spain, between languages and perspectives, has become integral to how I see and make art. My paintings are proposals for dialogue rather than finished statements.
ABOUT THE WORK
Human figures in my paintings appear like echoes of memories – fragmentary, turned away, often slipping away from full definition. I’m not interested in telling specific stories but rather in creating spaces for co-feeling: melancholy, suspension, silence, sometimes unease.
My animation background means I approach compositions with a sense of something unfolding or dissolving, even in stillness. There’s always an implied before and after. Space tends to be ambiguous. It’s not always clear whether we’re inside or outside, whether this is an internal landscape or external reality.
The process is intuitive. I build layers where painted areas meet dimensional elements – allowing some areas to remain loose while others become more resolved. The work asks questions rather than provides answers, leaving room for each viewer’s own experience.
